This argillite totem carving by Haida artist Denny Dixon (Haida, b. 1944) is a stunning example of the artistry and craftsmanship that has made Haida carvings world-famous. Measuring 5.25 inches in height with a base that is 1 9/16 inches by 1 3/16 inches, this totem is a medium sized but intricately detailed piece that showcases Dixon's talent and expertise. The totem features a traditional Haida design, with a central figure of a thunderbird, or eagle. The back is signed “4/2000 DENNY DIXON” and the bottom has a collection sticker marked “I004”. The totem is carved from argillite, a dark, slate-like stone that is found only on the islands of Haida Gwaii, off the coast of British Columbia, Canada. Argillite has been used by Haida artists for centuries, and is prized for its rich color and fine grain, which allows for intricate carving. The use of argillite in totem carvings is a hallmark of Haida art, and is one of the reasons why Haida carvings are so highly valued by collectors and art enthusiasts. Denny Dixon is a Haida artist who was born in village of Skidegate on Haida Gwaii, BC, Canada. He comes from a family of artists and carvers, and began carving at a young age. Dixon is known for his skill in carving argillite (which he exclusively carves in), and has won numerous awards and accolades for his work. The history of argillite totem carvings dates back centuries, to a time when the Haida people used the stone to carve everyday objects such as bowls, boxes, and pipes. Over time, Haida carvers began to use argillite to create more elaborate and intricate works of art, including totem poles and figurines. In the 19th century, as Europeans began to arrive in Haida Gwaii, the demand for Haida carvings grew. Argillite totem carvings became especially popular among collectors, and Haida artists began to produce more and more intricate and elaborate works to meet this demand. Today, argillite totem carvings are highly prized by collectors and art enthusiasts around the world. They are a testament to the skill and artistry of the Haida people, and a reminder of the rich cultural heritage of the Pacific Northwest Coast. This example is well kept showing good condition with no apparent breaks.