This is an outstanding carved solid argillite totem from renowned Haida master, Rufus Moody (Haida, 1923-1998) which is correctly signed. Rufus Moody (1923-1998) was a Haida artist and carver born at Skidegate on Haida Gwaii, the son of Arthur Moody and grandson of Thomas Moody, who were also prominent carvers. Rufus Moody belonged to the Tanu Wolf Clan. He was the uncle of Haida jeweller and carver, Garner Moody. In addition to being known as one of the most prolific argillite carvers of the twentieth century, Rufus was very well-known for teaching younger artists to carve argillite. He taught artists such as Guujaaw and Wayne Wilson. Rufus produced the tallest argillite pole in the world, which stands 6-feet tall, and is housed in Vancouver's Museum of Anthropology. He also has a massive argillite pole in the Queen Charlotte Museum in Skidegate. Rufus received the Order of Canada in 1976 for his role as an established argillite carver and a teacher of the Arts. Rufus passed away in 1998. This authentic example is comprised of solid argillite with squared stepped and carved base with traditional Haida carved totem pole. The bottom is signed "Rufus Moody (Epy?) c.m." and correctly matches other authentic examples. Rufus's works are highly collectible with one such piece selling for $27,060 (CAD w/ bp) at a June 2022 First Arts Premier sale. This example is well kept overall with one very small chip at the top backside of the totems ear. Measures overall 5.25"H and 2" by 1 7/8" base. The totem is carved from argillite, a dark, slate-like stone that is found only on the islands of Haida Gwaii, off the coast of British Columbia, Canada. Argillite has been used by Haida artists for centuries, and is prized for its rich color and fine grain, which allows for intricate carving. The use of argillite in totem carvings is a hallmark of Haida art, and is one of the reasons why Haida carvings are so highly valued by collectors and art enthusiasts. The history of argillite totem carvings dates back centuries, to a time when the Haida people used the stone to carve everyday objects such as bowls, boxes, and pipes. Over time, Haida carvers began to use argillite to create more elaborate and intricate works of art, including totem poles and figurines. In the 19th century, as Europeans began to arrive in Haida Gwaii, the demand for Haida carvings grew. Argillite totem carvings became especially popular among collectors, and Haida artists began to produce more and more intricate and elaborate works to meet this demand. Today, argillite totem carvings are highly prized by collectors and art enthusiasts around the world. They are a testament to the skill and artistry of the Haida people, and a reminder of the rich cultural heritage of the Pacific Northwest Coast.